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O SABOR DO CINEMA – MOMENTO XI » Os Filhos de Lumière
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Se a teoria é rapidamente esquecida,
o gesto e a experiência artística
ficam no corpo, na memória, no olhar.

Jan 052007
 
Aniki Bóbó-Manoel de Oliveira
Fotograma do filme Aniki Bóbó de Manoel de Oliveira

28 Jan - 28 Mai 2007 - AUDITÓRIO DE SERRALVES
Em finais de Janeiro retomamos as nossas maratonas em torno de filmes que nos falam e dos quais falamos. Desta vez daremos a volta a uma parte do nosso mundo apoiados no tema «Jardins Portáteis» que norteia o trabalho a desenvolver em 2007 no âmbito do projecto anual com escolas.
O imaginário do ocidente admite que, no princípio, em lugar dos forçados e forçosos vales de lágrimas, em vez dos improváveis mares de rosas, aquém dos rios de sangue e de tinta onde banham as nossas histórias, o mundo era um jardim. Que máscaras e avatares produziu o cinema a partir desse jardim perdido? De que forma a condenação ao cultivo (a custo do suor do rosto...) marca os gestos dos homens e as imagens que deles foram sendo fabricadas?